Above is an example taken at the longest focal length, while below is one at the widest end at a close distance. With snap movies you can set up a focus pull in advance tapping the screen to define the start and end focus positions, which is pretty neat. You can also use the touch-screen while composing with the viewfinder to reposition the AF area. The Lumix TZ80 / ZS60 can also upload images directly to the Internet by itself via a suitable Wifi connection. As we had said of 2015's TZ70, the TZ80's built-in Wi-Fi does a decent job of sharing files direct from camera. The touch screen provides a further five programmable soft buttons labelled Fn5 to Fn8 and by default allocated to WiFi, Level gauge display, histogram display, Snap movie and unassigned. What is new is that, for the first time in three generations, a Lumix TZ / ZS series model once again features a touch sensitive screen. But it lacks the TZ100 / ZS100’s 24fps option. Summary: The Lumix ZS60 is an easy to use camera that also offers plenty of advanced features, including a 30X optical zoom lens, 4K video recording, a touch screen display, and a viewfinder. Here’s a selection of clips to demonstrate the TZ80 / ZS60’s video performance in various conditions. You can also add a monochrome to colour fade in our out effect, as well as a simple exposure fade. The PowerShot SX720 HS battery can be charged in-camera over a USB connection, or externally using the supplied AC unit. Above: This low light interior panning shot was shot in Program Auto mode with the ISO set to 800 and the focus mode set to AFC (continuous). It features an 18 MP high-sensitivity MOS sensor that delivers clear images and 4K Ultra HD videos. The TZ80 / ZS60’s combined battery and card compartment is accessed via a door in the base – note it’s not possible to change the card or battery when the camera is mounted on a tripod. Here’s how the TZ80 / ZS60 crop looks for 4k video, below left, compared to 1080p video, below right. You can still shoot, but the battery won’t start charging until you turn the camera off. The return to 18 Megapixels is an interesting choice, given the series previously dropped from 18 to 12 to achieve better quality, but Panasonic assures us it’s a new sensor developed to support features like 4k video, so hopefully the photo quality is improved too. It sports a 18MP MOS sensor, the company's latest Venus Engine processor, speedy Depth-from-Defocus autofocus technology and 4K/UHD video recording. With a maximum optical focal length of 720mm on a body with a minimal grip, it’s very important to have effective image stabilisation. Finally, the Lumix Image app allows the TZ80 / ZS60 to inherit the fun Jump Snap feature introduced with the GF7. With the TZ80 / ZS60 I couldn’t say whether it results in faster focussing in optimal conditions, Lumix travel zooms were already very good performers in that respect. Announced in January 2016 alongside the flagship TZ100 / ZS100, the Lumix TZ80 / ZS60 effectively becomes its ‘cut-down’ sibling, but it is arguably the true successor to last year’s TZ70 / ZS50, while the TZ100 / ZS100 starts a new series with a larger sensor to differentiate it. I’m very pleased to see the touch-screen return to the TZ / ZS series and it’s one of the big advantages the TZ80 / ZS60 holds over Canon’s SX720 has which has neither a touch-screen nor a viewfinder. Customs services and international tracking provided +C $45.81 shipping. All content, design, and layout are Copyright © 1998 - 2020 Digital Photography Review All Rights Reserved. The Panasonic TZ80 is a compact camera for people who want to have it all. It shares the same fairly pocketable body with the same 30x / 24-720mm optical zoom and the same built-in electronic viewfinder with eye sensor and 1166k dot resolution. If you want to know more about how you can use the Post Focus feature take a look at my Lumix FZ330 / FZ300 review where I cover it in a little more depth. The Lumix TZ80 / ZS60 charges its battery in the camera via the standard USB port. An eye-sensor and a button for toggling between the viewfinder and the screen which doubles up as Fn4 works in the same way as other recent Lumix models with three options – viewfinder, screen or eye sensor, the latter activating the viewfinder when you put your eye to it and the screen at all other times. Also known as the DMC-TZ80, the ZS60 is essentially a less pricey edition of the ZS100/TZ100, an enthusiast camera from Panasonic that boasts a 1-inch sensor. It’s slightly disappointing that you can’t change the drive mode remotely, that has to be done on the camera, however once you’ve set a drive mode it is then possible to alter, say, the continuous shooting speed, or self-timer delay. EM1X 2.0...really good...reeeaaally good... Mini Challenge #609: What made a Vacation memorable? This digital camera offers a minimum focal length of 24 mm and a maximum focal length of 720 mm. The AF is struggles to settle and this low-light clip is also quite noisy. Traditionalists will love the hands-on manual feel of a lens-mounted control ring and thumbwheel, plus the familiarity of an eye-level electronic viewfinder. Moving on, the Lumix TZ80 / ZS60 records 1080p at up to 28Mbit/s in AVCHD or MP4 modes. So aside from the quality improvement available from the larger sensor, the main difference between the two Lumix models is that the TZ80 / ZS60 lacks the TZ100 / ZS100’s 24p 4k and 1080p modes. You can also tap the screen to pull focus during recording, or of course use the lens control ring. The Lumix TZ80 / ZS60 has four focus modes, 1-Area, 49-Area, Tracking and Face / Eye Detection. Traditionalists will love the hands-on manual feel of a lens-mounted control ring and thumbwheel, plus the familiarity of an eye-level electronic viewfinder. It’s interesting to compare these crops with the ones in my Lumix TZ100 / ZS100 review where the 4k crop from the TZ100 / ZS100’s larger 1 inch sensor does produce more detail. It’s no surprise that that the Lumix TZ80 / ZS60 bears more than a passing resemblance to its predecessor – indeed the newer model is almost identical in appearance to the earlier Lumix TZ70 / ZS50. You can choose one of four 8M aspect ratios – 4:3, 3:2, 16:9 and 1:1. Should I buy a new Pen F or a new OMD EM-1 Mk III? You can tap anywhere on the live image to set the AF area or directly take the shot. The nearest comparable model in terms of size and zoom range is Canon’s 40x SX720 HS which measures 110 x 64 x 36mm and weighs 270g with a battery and card. Other video features include snap movie, which records a short clip of between two and eight seconds in length. Once you’ve found a version you’re happy with, you can export it to the memory card as a JPEG. And when you’re in Face detect mode you can select which eye you want to focus on by tapping it. If you are looking for an easy compact camera, with a long range optical zoom (720mm is pretty unique), than the Panasonic TZ80 is a great buy (check the price in US, best price in Australia). This corresponds to a speed of 10.76fps. It typically took about 6 seconds to copy an original JPEG from the camera to my iPhone 6 from a distance of about 1m; it’s not possible to copy RAW files though. 2020 Pixel Awards: X-T4 the biggest disappointment, Dario's desk (because I don't have one) by adriparro. It’s a little less convenient, but worse is that it suffers the same redundanncy as the TZ100 / ZS100 thumb dial in manual and semi-auto exposure modes. Set to RAW, I captured 13 frames in 1.23 seconds for a speed of 10.57fps before the camera stopped shooting. That’s a little better than the 250 shots you’ll get with the Canon PowerShot SX720 HS, but the SX720 HS’s Eco energy saving mode extends that to a more generous 355 shots. What’s interesting about this comparison is that though the detail is larger in the 4k crop on the left, there isn’t more of it, what you can see though is more noise. To be fair, the approach is not dissimilar to the way most other manufacturers implement direct uploads, but to me it makes more sense to just use Wifi to copy the image from the camera to a more capable device and upload from there instead. The Lumix TZ80 / ZS60 starts with a sensor resolution of 4896×3672, from which it takes what appears to be a 1:1 crop to generate a 4k UHD frame. The TZ80 / ZS60 lacks the TZ100 / ZS100’s custom multi and pinpoint modes, but these are only likely to be employed on rare occasions and during my time with the Lumix TZ80 / ZS60 their absence was never really an issue. And you can expect the hit rate to fall pretty dramatically with faster moving and less predictable subjects like animals or football players. Panasonic recommends using a UHS-I Speed Class 3 (U3) SD card for the 100Mbit 4K UHD and High Speed Video modes and a Speed Class 4 card for everything else. You can simply tap the screen to position the AF area in single area mode. Panasonic Lumix TZ80 / ZS60 lens and stabilisation. Above: For this hand-held panning shot, and the others below I set the Lumix TZ80 / ZS60 to its best quality 4k 25p video mode. Had Panasonic stuck with, say, 12 Megapixels, the individual pixels would have been a little larger and the crop for 4k video not as severe. Here is a plausible explanation of why some manufacturers do this. To illustrate the difference in coverage I compared actual 4k footage I filmed with the TZ80 / ZS60 against still photos when using the same lens setting and position. This is designed for shooting subjects like children and pets that move in an unpredictable manner. When you see an image you like, just tap it and the Lumix Image app will let you save the original to your device or start uploading it to one of the social, sharing or storage services installed on your device. Enter your screen size (diagonal) My screen size is inches. Contrast detect AF systems also find it difficult to know when the optimum focus point is reached, so they often go past the best focus position before returning to it. The quality however doesn’t quite have the crispness and detail that you’d expect from 4k resolution. Furthermore, the LUMIX TZ80 newly integrates the Low Light AF to let you shoot a star in the night sky with auto focus by accurate calculation of the contrast value in a smaller AF zone. You can also choose whether to copy images in their original resolution, or in one of two smaller versions. The shot of the Robin above, for example, could have been achieved without stabilisation at a much higher sensitivity setting than the 80 ISO that stabilisation made possible, but I doubt I would have been able to frame it up. Panasonic Lumix DMC-ZS60 houses a 18 MP High Sensitivity MOS sensor work with the powerful Venus Engine delivers high quality images and outstanding low-light performance.. If the camera’s mode dial is set to Aperture or Shutter Priority, you can remotely adjust the aperture or shutter speed respectively, and in Manual you can change both. That’s not so important as there are now more programmable function buttons than before – four in all compared with two on the earlier TZ70 / ZS50, and of course the touch screen provides more opportunities for configuring settings. In the image below, the 4k coverage is indicated by the outer edge of the red frame, resulting in a not insignificant reduction in the field of view; indeed when filming 4k video, the equivalent range is cropped from 24-720mm to 33-990mm – good news at the long-end, but you lose quite a bit of coverage at the wide-end. Fn3 is the Q.menu button (delete in playback mode) and Fn4 toggles between the screen and viewfinder. change cameras » vs: Panasonic Lumix DMC-ZS60: Panasonic Lumix DMC-TZ80: check price » check price » Megapixels. Gordon’s gone into more detail about 4K Photo in his Lumix GX8 review and I’ve demonstrated it later in the review, along with the Post Focus feature. You specify the start and end of the clip by tapping the screen to position a 1920×1080 sized frame. There are two modes; Exact, which positions the AF area at the coresponding point where you tap the screen and Offset, which works like a trackpad, moving the AF area from its original position as you drag on the screen. About the only difference is the addition of a creative video mode position on the mode dial – for which one of the two custom positions is sacrificed. During recording you can change the exposure setting including, depending on the mode, aperture, shutter speed, ISO sensitivity and exposure compensation. Panasonic’s previous strategy with the TZ / ZS series was to maintain the same optical specifications across two generations. Above: Here’s the Lumix TZ80 / ZS60’s 4k Live Edit mode in action. The Lumix TZ80 / ZS60 has 1080p HD movie modes at 25 and 50 frames per second in PAL regions and 30 and 60 fps in NTSC regions. Above: Lumix TZ80 / ZS60 Post Focus, Aperture Priority, 1/160, f6.1, 200 ISO, -2/3EV 101.7mm (567mm equivalent). So though you’re getting more pixels shooting with the TZ80 / ZS60 in 4k video mode, thanks to the noise you’re not really getting more detail or better image quality. 4896 x 3672 4896 x 3672 Sensor. You can configure the app to provide shortcuts to two or three of your most used services which could include Dropbox and Instagram in addition to the more usual suspects. Posted on Mar 4, 2016 •. It sits below the new TZ100 - last year's TZ57 has … I should point out that the Canon PowerShot SX720 HS also has very capable stabilisation plus it benefits from Canon’s Frame Assist feature which helps locate your subject and keep it in the frame when zoomed in. Both essentially confirm the top speed, but if you want to shoot a burst of longer than around a second you’ll need to make do with JPEGs. ZS60 is also sold as Lumix DMC-TZ80 in some of the countries. Panasonic Lumix TZ80 / ZS60 Image Stabiliser off / on. 282 g with Battery and SD Memory Card (0.6217 lb) Weight Approx. 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