The first hiccup as regards the screen is that it cannot be switched off completely. Any of my keeper images qualify for a 60×80 cm (23”) fine art print, holding up 10″ viewing distance. May 2019 Better Pictures Canon Sony Nikon Fuji LEICA Zeiss Hasselblad All Reviews Sony vs. Nikon vs. Canon Full-Frame Fujifilm GFX 50R Review Nikon Z7 Review Canon 5DS/R Review However, film pulls out about 2400 dpi worth of information per inch, which corresponds to 8 Megapixel for 36 mm and an impressive 115 MP for a sheet of 4×5”. In this respect the D800E is much more demanding. For a long time, medium-format digital backs with CCD sensors separated themselves from 35 mm digital cameras by a huge gap in image quality and resolution, albeit the tenfold price. Page 1 of 2 1 2 Next > ian|2. This post processing is possible, in principle, also with scanned film, but at an insane price; here in Europe I must count about $ 10 for each shot, without scanning! Over the years, my equipment has included Linhof Technika and Technikardan Cameras and lenses from 27 to 150 mm, on 35 mm equivalent. The back is triggered through a cable connected to the flash-sync port of the (Copal) leaf shutter lenses and by setting the back to “zero latency”. I was told that the leaf shutter requires such a light-weight construction for  the autofocus motor to cope with. Still, I am happily shooting outdoor portraits at ISO 400 to arrive at shutter speeds well below the reciprocal of 2-3 times the focal length. Continuing the success story of the 50MP CMOS sensor we have added a 100MP option to the range, delivering unmatchable image quality and the ability to resolve the finest detail with our HC & HCD lenses, whose pedigree has long been proven through … But seeing the digital back manufacturers turn away from CCD to a Sony sensor with CMOS architecture, similar to the one in the D800E, I considered it high time to go for a test drive. Just like the Iphone, the Credo has a very clear menu structure, reduced to the minimum. So you get a little less depth of field, requiring the use of smaller apertures, which means longer exposures (which can be a problem in windy conditions, for example). Low dynamic range (blown highlights or closed shadows), narrow color gamut, and low spacial resolution made printing even at 17” pointless. This is what I call supernatural, because the print reveals details that at the location were not visible to the naked eye. The horse portrait shown above turned out sharp at almost 100% using the Nikon with the fast-focusing 70-200 f2.8 VR II zoom lens, which is my preferred lens for portraits. Here come the cons—you might want to get comfortable, this might take some time: And, I almost forgot: your medium format system will likely cost you A LOT OF MONEY—we’re talking “holy crap!” levels of money! Some are blown up to 20x24 or 24x30, but the vast majority are 16x20 and smaller. Home > H6D-100c Medium Format DSLR Camera (Body Only) H6D-100c Medium Format DSLR Camera (Body Only) $32,995.00 Shipping: Free. Mainly because the Leaf Credo back can be mounted on the view camera, which would bring me back the joy of full tilt-shift functionality. […] comparison is from a few years ago but is still interesting. Here we are comparing two cameras with different body types: Nikon D850, which was introduced in August 2017 is a Advanced DSLR camera with a 46.0MP Full frame sensor whereas Hasselblad X1D, which was introduced in June 2016 is a Pro Mirrorless camera with a 51.0MP Medium format sensor. Frankly, I’ve grown addicted to the speed and flexibility that a 35mm format digital system offers, and the quality is more than sufficient for the vast majority of my needs. An intrinsic advantage of the digital backs is that they can be mounted on view cameras. That also means the lenses are larger and the price tag is usually much larger, as well. Not surprisingly, the Capture One software offers more tonal curves for the digital back than for the Nikon. Medium Format digital vs DSLR. Home > H6D-100c Medium Format DSLR Camera (Body Only) H6D-100c Medium Format DSLR Camera (Body Only) $32,995.00 Shipping: Free. medium format vs DSLRs. George Grant toiled in obscurity for nearly three decades as the first official photographer of the National Park Service. Medium-format cameras have long been in the hands of working pros because of their combination of ease of use and incredible image quality. Hi Adam, today Ming Thein posted on a discussion with Lloyd Chambers on the D810 and the Pentax 645Z. Moreover, the largest apertures of my large-format lenses are between f5.6 and f9, which yields very little margin to the diffraction limit. These lenses are seen as obsolete. With this setup I did not mind having to change ISO settings through the menu. Let’s start with the pros: I love using my DSLR for night photography, such as with this moonlit scene above. Page 1 of 2 1 2 Next > ian|2. Medium format lenses have a longer focal length than their DSLR equivalents. I was not looking forward to spend in the two-digit, k$ range, but I really wanted this medium-format combo to work out for me. Size: medium format cameras tend to be larger than their 35mm counterparts, and with that size comes weight and inconvenience. I used a 4×5 field camera for years, along with a “backup” medium format camera for working in fast changing light, before making the switch to a 35mm format DSLR almost ten years ago. If you place the shorter 56mm side of the 6 x 7 negative along the shorter end of the 3:2 full-frame sensor of the Nikon D800 DSLR camera’s 36.3 megapixel sensor, the approximate area size (in pixels) that would be covered by the medium format negative would be 4912 x 5877, which would be approximately 28.86 megapixels. The largest advantage is cost. Pentax 6×7 top. Output sizes below 200 dpi yield blurred images whereas uprezing results in digital artifacts and washed out surfaces. You can pretty much forget about shooting wildlife with a medium format system! I know they've came out with some new models now with improvements. Thanks in advance for your input! No, this camera will retain the perfect degree of mystery to shooters unaccustomed to medium format. Of course, as medium format evolves, the same gains we see in full-frame over smaller sensors might find their ways into the format. And the instant review capabilities allow achieving precise focus, depth of field, and exposure. I expect the same tonal separation and pixel acuity as for the Nikon, albeit with more sensor real estate and my preferred aspect ratio of 4:3. These days, digital large format hasn’t really emerged as a viable option for nature photographers, but medium format manufacturers have been able to (marginally) stay in the game. Take the time to study and learn about your subjects for more meaningful wildlife images. Since then it has gone through a few re-introductions and name changes, ultimately ending up with the ‘Pentax 67’ and ‘Pentax 67II’. Not only will there typically be a wider range of optics from the… Desert landscapes would have been even better, but are (fortunately) not accessible in this part of the world. But that’s not all. When using the viewfinder, I found the light emitted by the screen irritating. Medium Format digital cameras have sensors that are significantly larger than full frame DSLR’s. If I needed medium format quality for most of my work the last camera I’d buy is the 5DS/R. Because of the relatively small capture area, the camera makers force on us aggressive digital sharpening (and noise reduction). I use the Pentax 67 format, but many others should work equally as well. DSLR Vs Medium Format - PhaseOne Vs Canon Part 1 is here: https://www.youtube.com/watch?v=r_n2N0RQJVM In Part 1 I show shooting with … Medium Format uses larger sensors and more depth from 16 Bits than DSLR 14 Bits. I also have a bronica SQAi system with a full … DSLR vs. Honestly, I … For example, a 24mm lens on a medium format system is equivalent to an 18mm DSLR lens. This is most valuable in 4 color or greater magazine reproduction printing. In photography, medium format simply refers to a camera that has a larger sensor than a 35mm (24x36mm), or full frame DSLR camera. But this will require both the silicon to keep up, and the development of faster lenses. Shooting in portrait orientation, which holds for about 80% of my images in the 4×5 aspect ratio, you will find that the Mamiya simply isn’t designed for that, and it is physically very difficult to accomplish. The Hassy mirrorless focuses in 2-3 seconds, according to early reviews, to a few hundred milliseconds for Sony/Panasonic/Olympus mirrorless. I took the Nikon, along with my 4×5 equipment, to Ladakh, Myanmar, and the USA. Introduction Images Technik Analysis Recommendations This all-content, junk-free website's biggest source of support is when you use any of these links to approved sources when you get anything, regardless of the country in which you live. (© Ian Plant) I recently got a question from a reader: does it make sense for the aspiring landscape photographer to use a medium format camera system? It seems that the sensor cannot make up for the Pentax lens quality. As such, its operation is a little less archaic than the ‘Cords listed above. But also for the latter, I obtain more pleasing results from that software compared to Nikon’s genuine Capture NX2. The view finder is bright and huge, and can thus be used for manual focusing. If the maximum burst rate matters to  you, the medium format system will be out of the question. Too bad that there is no revolving back or a second tripod socket like on the Pentax 645D. The downgrading of the CCD sensor stems from the performance limitations at high ISO, although I would be careful with ISO settings above 800 on the Nikon also, after which some aggressive in-camera noise reduction sets in. Until May 2012 I considered digital cameras, point-and-shoot as well as DSLR, as mere electronic notebooks. While medium format has been progressing in technology with the newer Phase One backs, the medium format world has not evolved anywhere near the meteoric rate that DSLR … Mid Term Assessment of the Nikon Z7. Here, full-frame DSLRs very much have an advantage over relatively new medium-format systems. But once you dig into the details, Hasselblad medium format photography is defined by so much more. 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